Average Rating: 
Rating:  - No matter how the West was WON this film shows it was FUN!
This is a classic not to be missed. Butch Cassidy and the Sundance Kid is one of the last examples of a time when Hollywood made quality classics on a regular basis--instead of the [junk] it now generates 95 % of the time. This movie embodies several gold standard qualities of Hollywood classics: 1) Star power and star chemistry yielding unforgettable characters 2) a well-written script that will be quoted until the end of time 3) ingenuity in cinematography and film editing.1) There are many stories about how exactly Newman and Redford got cast. Some say Steve McQueen was supposed to star opposite Newman, but refused after he found out he would not get top billing. Also, originally, Newman was cast as Sundance and Redford was Butch. Depending on who you ask, either Redford or the Director recommended the switch. Newman strongly backed the casting of Redford, a relatively new and unknown star at the time. We are all glad he did. Their chemistry is fantastically brilliant, with colorful threads of wit, humor, and humanity thread throughout their relationship. Newman, one of the finest actors of all time, projects a warm and friendly "old buddy, old pal" character as Butch Cassidy. This leader of the "Hole in the Wall gang" is devilish, ingenious, endeavoring, and affectionate (you will love the bicycle scene with Katherine Ross). His "Get rich quick" schemes have him and Sundance living life to the full hilt-alternating periods of lavish living, mishaps in bank/train robbing, and running/jumping/floating from a "out to kill" posse. Redford's dry wit and serious demeanor nicely compliment Newman's character. No one delivers a line like Redford, you can almost hear his teeth grinding in the background. No scene illuminates this better than when they first arrive in Bolivia with dreams of wealth and easy living to find desolate farm land and a few goats. The wit is unsurpassed here. 2) Quotes/scenes that are classic, or at the very least pretty damn funny-
Butch Cassidy: What happened to the old bank? It was beautiful!
Guard: People kept robbing it.
Butch Cassidy: Small price to pay for beauty. Butch: Boy, I got vision while the rest of the world wears bifocals. Butch Cassidy: You jump first.
The Sundance Kid: No, I said.
Butch Cassidy: What's the matter with you?
The Sundance Kid: I can't swim!
Butch Cassidy: Why you crazy--the fall will probably kill you! Sundance: Can you take the two on the right?
Butch: Kid, I think there's something I oughta tell ya. I never shot anybody before.
Sundance: One HELL of a time to tell me. Butch Cassidy: If he'd just pay me what he's paying them to stop me robbing him, I'd stop robbing him! 4) If you buy the latest release of the film, there is a bonus "making of" feature at the end. It's a nice summary of how the cinematography, editing, music, and characters all came together to produce "one of the most popular screen westerns ever made, this Academy Award winning classic blends adventure, romance, and comedy to tell the true story of the West's most likeable outlaws."-(back cover) For example, the sepia toned frames of New York with Newman, Redford, and Ross superimposed give the film a vintage touch. James Dean may have defined "cool" in "Rebel Without A Cause" but Newman and Redford certainly pull no punches in presenting their definition-their wit is beyond cool.
Rating: - The film that broke the mold of traditional westerns!
This 1969 film made box office history at the time and was nominated for seven academy awards. The public just loved it and I can well understand why. It broke the mold of the traditional western by being upbeat, lively and whimsical. And the stars, Paul Newman and Robert Redford, cast as bank robbers, had a special chemistry between them with their lighthearted wisecracks throughout. Katherine Ross plays the love interest of both of them and there's a great musical score by Burt Bacharach, most notably, "Raindrops Keep Falling On My Head" in which Newman and Ross ride around on a bicycle. The story was predictable and at times it seemed a little long, but I found myself smiling throughout and the actors were a pleasure to look at.Even more than the film, though, I thoroughly enjoyed the "add on" which was included on the videotape. Entitled "The Making of 'Butch Cassidy and the Sundance Kid'", this was 52-minute documentary with the kind of interesting details that really enhanced my appreciation of the film. For example, there's a part in the movie that shows photos of the characters superimposed on old time photos from the 1890s. This is a technique that is relatively simple today by using any one of a number of computer programs. However, in 1969, they had to be actually pasted on. And it was also interesting to see how they do special effects with guns that shoot puffs of smoke. I loved this going behind the scenes.
Rating: - "You Just Keep Thinking, Butch...!"
This film truly deserves the description of being a "Classic." Paul Newman and Robert Redford (in the company of Director George Roy Hill and a particularly appealing Katharine Ross), take the history of the bloodthirsty "Hole-in-the-Wall Gang," and turn it into an affectionate cinematic portrayal of male bonding and cultural change. Taking place at the end of the 19th century, Butch and Sundance are, as veteran actor Jeff Corey, playing a sympathetic sheriff and accidental existentialist, snarls, "two-bit outlaws on the dodge!" They spend much of the movie dodging a posse hired to hunt them down and kill them in the wake of a series of amusing train robberies. The location shooting of their escape is breathtakingly beautiful. Ultimately, they have to flee the closing frontier, and end up in Bolivia, which is portrayed as a kind of low-rent version of the Old West. Their trip to South America is an intermezzo, done in sepia tint, focusing on their stay in New York, which, with its (relatively) modern conveniences, underscores how anachronistic their lifestyle has become. Their inability to rob banks in Bolivia without using Spanish-language crib sheets is both hilarious and touching, a kind of paradigm of cultural and technological dislocation. In keeping with its 1969 release date, the film has a strong antiestablishment cant to it: Authority is faceless, unyielding, and, mostly, inept. It is telling that Butch and Sundance kill no one until they "go straight" as payroll guards. Their criminal lifestyle is romanticized as a kind of "On The Road" on horseback. That this doesn't offend the audience is a measure of how fine this movie is. The warmth and humor overcome both the moral relativity of the characters and their sad ending. Newman and Redford are wonderful together as the affable outlaws. Newman's Butch is a charming, flaky visionary who is trying desperately to cling to the past. When confronted with the new alarms and teller's cages at a favorite bank, he dismisses the guard's explanation of, "People kept robbing us" with a wistful, "It's a small price to pay for beauty." As Butch says: "The future's all yours, you lousy bicycles!" In a sense: the Western Outlaw was succeeded by "Public Enemy Number One" when cars succeeded horses, and train and bank robberies became Federal crimes. "Your times is over!," Jeff Corey insists, and he's right. Redford plays Sundance as the stylish straight man, never quite falling prey to Butch's dreams, but never able to dismiss them utterly: "You just keep thinking, Butch, that's what you're best at!" The onscreen chemistry between Newman and Redford is so palpable that although they only made two films together ("The Sting" in 1973 is a modernized version of "Butch & Sundance"), they can easily be considered one of the finest comedy duos ever, anywhere. The dialogue between them is banter between two very good, very old, very comfortable, friends. Maybe there was a script involved, too. "Butch and Sundance" may be short on facts, but it speaks a kind of truth for which facts are not needed.
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