Average Rating: 
Rating:  - The Centerpiece to any Great Reference Collection
If I somehow found myself in a scenario where I was coerced to operate a grammar hotline but restricted to having a single reference at my disposal, then the Chicago Manual of Style would be my weapon of choice. This venerable, thorough guide to editing and writing may be getting a bit dated, yet it remains an indispensable reference for serious editors and writers in nearly all disciplines. Two main attributes---its organization and its completeness---make this reference so valuable. For example, chapter 5, a treatise on the pleasure and pain of punctuation, starts with the various forms of terminal punctuation before moving into a substantial discussion on the comma (there are more than 20 subpoints discussed on the uses of the comma) and concluding with a roundup of the remaining commonly used marks of punctuation. It's easy to find out the distinction between, say an en-dash and an em-dash, or get a definitive answer about why we need to include serial commas (despite the outdated advice offered by the badly out-of-step AP Style Manual). The advice about names and terms found in chapter 7 seems daunting at first, but the presentation is, again, so well-organized and complete, that, after some study, you will start catching all the errors that make their way into too much printed material these days. The advice here about when to capitalize words such as "federal," "government," or "state" trumps the misleading, confusing dictums of other outmoded texts such as the United States Government Printing Office Style Manual. One more example of why the Chicago Manual of Style is a beacon of calm authority can be found in the common sense approach to the difficult issue of being consistent in the use of numbers. Nothing drives me crazier than fighting with a manager, copy editor, or researcher about the use of numbers. Here the emphasis is on laying on the general principles not as absolute rules but as guidelines followed by a generous overview about the myriad exception and variations to these principles. Numerous examples cover virtually all the situations one might encounter. Any new copy editor worth his or her salt will have highlighted practically the whole second chapter on copyediting; veterans will return here frequently, too. Both will likely have, at some point, thumb tacked or taped a photocopy of Figure 3.1 Proofreaders' Marks within easy viewing distance. Detailed discussions about references and bibliographies, indexing, marking manuscripts, and copyright law (though this is one place where the book is beginning to show its age, for the impact of the Internet on copyright matters was not foreseen when this book was published) round out this reference. Sections on foreign languages, scientific terms, and mathematics in type illustrate further why this book anchors the writer-editor's reference collection. I eagerly wait for the 15th edition to be published.
Rating: - The must-have book for professionals and college students
THE CHICAGO MANUAL OF STYLE is one of those books that no professional - writer, publisher, scientist, lawyer, teacher - should be without. At nearly 900 pages, it covers almost any writing issue you can imagine, from the huge range of different requirements for citations to pluralizing foreign words to dealing with mathematics in type. Of course, the more common problems of spelling, grammar, and punctuation are discussed exhaustively as well. Divided into three parts (Bookmaking, Style, and Production and Printing), the target readership is without doubt those in the book trade; however, the style section is by far the largest and most useful for the average person.My only problem with this volume is accessibility. It's not always easy to find the section dealing with a particular problem. For example, you may have to wade through several pages before you can determine which version of a citation is correct for your situation. Despite this difficulty, I cannot deduct a star from my rating since no other book compares in scope and accuracy when it comes to the mechanics of writing. I highly recommend this book for anyone who writes articles, technical papers, or books as part of his or her profession. College students should consider buying it as a reference tool that will never steer them wrong.
Rating: - In league with the MLA style manual!
Being the owner of several style books, e.g., MLA Style Manual et al; I have to say that this style book in question, i.e., The Chicago Manual of Style: The Essential Guide for Writers, Editors, and Publishers (14th Edition) by John Grossman(Preface) is one of the better style books that are available for purchase. The book starts out with a well developed table of contents. The preface written by the managing editor, i.e., John Grossman is very well written and is not stuffy or overly pretentious which is nice. The first part of the stylebook talks about the art of bookmaking and everything that is involved in this art. Amongst these are the parts of the book, manuscript preparation and copyediting, proofs and rights of permission. The second section deals with style, i.e., rules regarding writing that incorporate punctuation, spelling and distinctive treatment of words, names and terms, numbers, foreign languages in type, quotations, illustrations, tables, mathematics in type, abbreviations, notes and bibliographies, author date citations and reference lists and last but not least indexes. The final part of the book is called production and printing and include the following sections: design and typography, composition, printing, binding and papermaking. In the end of the book there are also three sections that can be considered very helpful these being: glossary of technical terms, bibliography, and a well developed index.
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